<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">perdão pelo envio desnecessário…<div class=""><br class=""></div><div class="">É raro ocorrer, mas…</div><div class=""><br class=""><div class="">
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<br class=""><div><blockquote type="cite" class=""><div class="">On 17 de jul de 2018, at 15:03, Flo Menezes <<a href="mailto:flo@flomenezes.mus.br" class="">flo@flomenezes.mus.br</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><meta http-equiv="Content-Type" content="text/html charset=utf-8" class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Oi, meu caro Anselmo!<div class="">Feito, atualizei!</div><div class=""><br class=""></div><div class="">Contigo tudo bem?</div><div class="">Um abração.</div><div class="">Flo</div><div class=""><br class=""><div class="">
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<br class=""><div style="" class=""><blockquote type="cite" class=""><div class="">On 17 de jul de 2018, at 14:34, Anselmo Guerra <<a href="mailto:aguerra@uol.com.br" class="">aguerra@uol.com.br</a>> wrote:</div><br class="Apple-interchange-newline"><div class="">Prezado Flo,<br class="">
<br class="">
por favor atualize meu email para<br class="">
<br class="">
guerra,<a href="mailto:anselmo@gmail.com" class="">anselmo@gmail.com</a><br class="">
<br class="">
grato!<br class="">
<br class="">
grande abraço<br class="">
<br class="">
Anselmo Guerra<br class="">
professor titular<br class="">
ufg
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<strong class="">De: </strong>"Flo Menezes" <<a href="mailto:flo@flomenezes.mus.br" class="">flo@flomenezes.mus.br</a>><br class="">
<strong class="">Enviada: </strong>2018/07/16 16:40:44<br class="">
<strong class="">Para: </strong><a href="mailto:panaroma-b@listas.unesp.br" class="">panaroma-b@listas.unesp.br</a>, <a href="mailto:docentes-ia@listas.unesp.br" class="">docentes-ia@listas.unesp.br</a><br class="">
<strong class="">Assunto: </strong> [Studio PANaroma] Novo Livro de Flo Menezes<br class="">
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<div class="column"><p class=""><span style="font-size: 16.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Com satisfação anuncio meu novo livro, em formato eBook, e que por isso pode ser baixado gratuitamente pela Editora Unesp:</span></p>
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<div class=""><a href="http://editoraunesp.com.br/catalogo/9788595462885,riscos-sobre-musica" target="_blank" class="">http://editoraunesp.com.br/catalogo/9788595462885,riscos-sobre-musica</a></div>
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<div class="">Como livro impresso, via “impressão sob demanda”, o livro contém 418 páginas.</div>
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<div class="">Além da reprodução de inúmeras análises em forma de manuscritos (riscos e rabiscos que fiz ao longo de décadas sobre Berg, Webern, Stravinsky, Messiaen, Berio, Stockhausen), o volume traz uma coletânea de ensaios, análises e entrevistas, com alguns textos inéditos, abordando, além de obras minhas, Beethoven (a revelação de que Beethoven nunca foi surdo), Schoenberg, Stockhausen, Gilberto Mendes, Adorno, minha visão sobre modernidade a partir da teoria do poeta Philadelpho Menezes, sobre a música de mercado, minha concepção de que o compositor expulsou o som de seu corpo ao longo da história da música, a de que a escritura musical demanda uma senha e contrassenha para seu entendimento e muito mais...</div>
<div class=""> </div><p class=""><span style="font-family: HorleyOldStyleMTStd; font-size: 16pt;" class=""><font color="#ff2600" class="">FLO MENEZES</font></span></p><p style="font-size: 22px;" class=""><font color="#9a244f" class=""><span style="font-size: 41px; font-family: HorleyOldStyleMTStd-Bold-SC700;" class="">R</span><span style="font-size: 32px; font-family: HorleyOldStyleMTStd-Bold-SC700;" class="">ISCOS SOBRE MÚSICA</span></font></p><p style="font-size: 22px;" class=""><font color="#791a3e" class=""><span style="font-size: 23pt; font-family: HorleyOldStyleMTStd;" class="">E</span><span style="font-size: 16pt; font-family: HorleyOldStyleMTStd;" class="">NSAIOS </span><span style="font-size: 23pt; font-family: HorleyOldStyleMTStd;" class="">– R</span><span style="font-size: 16pt; font-family: HorleyOldStyleMTStd;" class="">EPETIÇÕES </span><span style="font-size: 23pt; font-family: HorleyOldStyleMTStd;" class="">– P</span></font><span style="font-size: 16pt; font-family: HorleyOldStyleMTStd;" class=""><font color="#791a3e" class="">ROVAS</font> </span></p>
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<div class="column"><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Apresentação</span></p><p style="font-size: 17px;" class=""><b class=""><font color="#4d22b3" class=""><span style="font-size: 19px; font-family: HorleyOldStyleMTStd;" class="">E</span><span style="font-size: 14px; font-family: HorleyOldStyleMTStd;" class="">NSAIOS </span></font></b></p>
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<div class="column"><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Dos ouvidos para cima</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">O blefe de Beethoven ((psic)análise da </span><span style="font-size: 11pt; font-family: HorleyOldStyleMTStd; font-style: italic;" class="">Nona sinfonia</span><span style="font-size: 11pt; font-family: HorleyOldStyleMTStd;" class="">)</span></p><p class=""><span style="font-family: HorleyOldStyleMTStd; font-size: 11pt;" class="">Stockhausen permanece</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Adorno e o paradoxo da música radical</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'; font-style: italic" class="">Transgresso </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">e </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'; font-style: italic" class="">intertensão</span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">: cinco fragmentos para o </span><span style="font-size: 11pt; font-family: HorleyOldStyleMTStd;" class="">entendimento de uma transmodernidade</span></p><p class=""><span style="font-size: 11pt; font-family: HorleyOldStyleMTStd;" class="">senha e contrassenha</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Arnold Schoenberg e a hegemonia do pensado</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Suma teleológica da composição musical: por uma </span><span style="font-size: 11pt; font-family: HorleyOldStyleMTStd;" class="">breve sociologia da recomposição</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">A inversão das distâncias: do som do corpo ao </span><span style="font-size: 11pt; font-family: HorleyOldStyleMTStd;" class="">corpo do som</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Gilberto, </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'; font-style: italic" class="">persona gratíssima</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">frasesdefeito</span></p><p style="font-size: 17px;" class=""><b class=""><font color="#4d22b3" class=""><span style="font-size: 19px; font-family: HorleyOldStyleMTStd;" class="">R</span><span style="font-size: 14px; font-family: HorleyOldStyleMTStd;" class="">EPETIÇÕES </span></font></b></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Odisseia eletroacústica (entrevista a Humberto Pereira da Silva)</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">“Mistérios ainda não são milagres”: diálogo com Ralph Paland</span></p>
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<div class="column"><p style="font-size: 17px;" class=""><b class=""><font color="#4d22b3" class=""><span style="font-size: 19px; font-family: HorleyOldStyleMTStd;" class="">P</span><span style="font-size: 14px; font-family: HorleyOldStyleMTStd;" class="">ROVAS </span></font></b></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Periodicidade e direcionalidade na micro e na macroestrutura de </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'; font-style: italic" class="">Pulsares </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">(1998-2000)</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Espacialidade espectral e harmônica do Oratório: uma análise de </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'; font-style: italic" class="">labORAtorio </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">(1991; 1995; 2003)</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">As três paixões dos três tempos: ensaio sobre </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'; font-style: italic" class="">Retrato falado das paixões </span><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">(2007-2008)</span></p>
<div class=""> </div><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Referências</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Índice onomástico</span></p><p class=""><span style="font-size: 11.000000pt; font-family: 'HorleyOldStyleMTStd'" class="">Índice remissivo</span></p>
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<div style="orphans: 2; widows: 2;" class=""><font color="#FF0000" style="font-family: Helvetica; font-size: 16px;" class=""><font size="5" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><span style="font-size: 14pt;" class=""><b class="">Flo Menezes</b></span></font></font></font><br class="">
<font face="Calibri, Verdana, Helvetica, Arial" class=""><span style="font-size: 15px;" class=""><b class="">Compositor</b></span></font></div>
<div style="font-family: Helvetica; font-size: 16px; orphans: 2; widows: 2;" class=""><span style="font-size: 11pt; font-family: Calibri, Verdana, Helvetica, Arial;" class="">Telefone: </span><b style="font-size: 11pt; font-family: Calibri, Verdana, Helvetica, Arial;" class="">+55/11/98282-0960</b></div>
<div style="font-family: Helvetica; font-size: 16px; orphans: 2; widows: 2;" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><font size="4" class=""><span style="font-size: 11pt;" class="">Studio PANaroma: </span></font></font><b class="">+55/11/3393-8697</b></div>
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