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<!--StartFragment--><p class="MsoNormal" style="margin-top: 6pt; font-size: 18px;"><a href="https://www.youtube.com/watch?v=tljta5gIPJc" class=""><b class="">https://www.youtube.com/watch?v=tljta5gIPJc</b></a></p><div class=""><b class="">Binaural version to be heard with headphones</b></div><div class=""><br class=""></div><div class="">_________________________________________</div><p class="MsoNormal" style="margin-top:6.0pt"><b class=""><span style="font-size:14.0pt" class="">In English and in Portuguese (see below/veja abaixo):</span></b></p><div class=""><br class=""></div><p class="MsoNormal" style="margin-top:6.0pt"><span style="font-size: 14pt;" class=""><b class="">Perpetui
decoris structura</b></span></p><p class="MsoNormal" style="margin-top: 6pt; font-size: 11px;"><span style="font-size: 15.666666030883789px;" class="">(September 2022; realized at EMS – Elektronmusikstudion, Stockholm)<b class=""><o:p class=""></o:p></b></span></p><p class="MsoNormal" style="margin-top:6.0pt"><o:p class="">Acousmatic piece for 16 channels.</o:p></p><div class="">10’32”</div><div class=""><br class=""></div><p class="MsoNormal" style="margin-top:6.0pt"><span lang="EN-US" class="">In September 2022 I worked as Guest Composer at the prestigious EMS (<i class="">Elektronmusikstudion</i>)
in Stockholm, Sweden. It lasted only one week, but the visit resulted in an
important experience: in a record in my life, in only 3 days in the studio –
from September 20 to 22 – I produced an entire 10'32" acousmatic work for
16 channels, which was premiered in octophonic version the next day, September
23, in my concert at the Black Box Theater of the Fylkingen society.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="EN-US" class="">The material consists of some sounds treated from recordings recently
made in Brazil of a few percussion instruments (within a Fapesp-supported
Thematic Project, then in full swing in São Paulo), but mainly of sounds
elaborated on analog synthesizers, submitted, however, to granular synthesis in
Max/MSP, and consequently strongly metamorphosed.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="EN-US" class="">As is well
known, this important and traditional European studio, founded in the 1960s,
although very well equipped with modern systems, is characterized by the
presence of modular analog synthesizers, with a marked presence of Buchla
synthesizers. I couldn't miss this opportunity and on September 21st I worked
for hours on the <i class="">Buchla 200 black knob</i> synthesizer, extracting from it
about 40 minutes of very interesting sounds, which became even more attractive
when subjected to a multifaceted granular synthesis, sometimes in octophony,
sometimes in 16 channels, that is, in a shattering of fast sound fragments
throughout the listening space.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="EN-US" class="">The experience
with the Buchla led me to retrieve sounds I had made on a Moog synthesizer as
soon as I arrived in Germany in 1986 to work as a composer at the <i class="">Studio für
elektronische Musik</i> at the Cologne Highschool of Music, founded in 1965 by
Herbert Eimert. That was the first Moog synthesizer to arrive in Europe, and I
had never used in a piece of my own the sounds I produced with it in those
years. Since I carry them with me along with millions of other sounds, I had
them on hand!<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="EN-US" class="">As EMS
technician Henrik Jonsonn had pointed out to me, the principle by which the
Buchla synthesizers were designed is opposite to that of the Moog synthesizers:
while, in general terms, the sounds produced by the Moog start from relatively
complex spectrums and tend to be "simplified" as they are
manipulated, the Buchla sounds in general start from relatively simple
spectrums that become more and more complex. The EMS advocates the "Buchla
cause", but precisely for this reason I rescued the sounds I had made with
that Moog and tried to combine both sounds coming from the two analog
historical synthesizers in the same context, subjecting them all to the
granular synthesis that transforms them radically anyway. As a result, both sound
families end up remarkably close, revealing sounds of great beauty, in an
oscillation or simultaneity of harmonic and inharmonic sounds.<o:p class=""></o:p></span></p><p class="MsoNormal" align="center" style="margin-top:6.0pt;text-align:center"><span lang="EN-US" class=""><!--[if gte vml 1]><v:shapetype id="_x0000_t75"
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</span><span lang="EN-US" style="font-size:10.0pt;mso-bidi-font-family:Calibri;
mso-bidi-theme-font:minor-latin;mso-ansi-language:EN-US" class="">Spectrum of a sound I
made with the <i class="">Buchla 200 black knob</i> synthesizer<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="EN-US" class="">The visit in
the days preceding my stay in Sweden to the German city of Aachen, where my
younger son Rafael lives with his wife, revealed to me at the top of the
Cathedral of that city an inscription that caught my attention for a beautiful
expression with 3 Latin words: <i class="">perpetui decoris structura</i>, that is, <i class="">of
the eternal beauty of the structure</i> or <i class="">work of eternal beauty</i>.<o:p class=""></o:p></span></p><p class="MsoNormal" align="center" style="margin-top:6.0pt;text-align:center"><span lang="PT-BR" class=""><!--[if gte vml 1]><v:shape id="Picture_x0020_1"
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</span><span lang="EN-US" style="font-size:10.0pt;mso-bidi-font-family:Calibri;
mso-bidi-theme-font:minor-latin;mso-ansi-language:EN-US" class="">Inscription on top of
Aachen Cathedral, Germany<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="EN-US" class="">Speculation
and sensibility seem to unite in this phrase, and that is how I used the
expression as the title of the new piece, composed in only 3 days of intense
work and consisting of 3 parts: almost like an ABA', the first part, although
with some sounds from Buchla, has predominantly sounds of percussive
instrumental origin; the second, mainly sounds from Moog; and the third and
last part, predominantly sounds I made with Buchla in EMS. All 3 parts have
their beginning demarcated by sound of the percussion/resonance type, as
"signals" of structural demarcation: membrane blows demarcate the
first and last parts, while metal blows punctuate the beginning of the middle
part.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt">While the form of <i class="">Perpetui
decoris structura</i> is relatively simple, its synchronic structuring is very
complex, because the principle that governs the work is that of polyphony, of <i class="">layered
composition</i>, in a dense polyphonic and at the same time kaleidoscopic weave
through which the listener, each time, focuses on aspects that, on repeated
listening, will give way to other aspects, other events.<span lang="EN-US" class=""><o:p class=""></o:p></span></p><p class="MsoNormal" align="right" style="margin-top:6.0pt;text-align:right"><b class=""><span lang="EN-US" style="font-size:10.0pt;mso-ansi-language:EN-US" class="">Flo Menezes</span></b></p><p class="MsoNormal" align="right" style="margin-top:6.0pt;text-align:right"><b class=""><span lang="EN-US" style="font-size:10.0pt;mso-ansi-language:EN-US" class=""><br class=""></span></b></p><p class="MsoNormal" style="margin-top:6.0pt"><b class=""><span style="font-size:14.0pt" class="">Perpetui
decoris structura<o:p class=""></o:p></span></b></p><p class="MsoNormal" style="margin-top:6.0pt"><o:p class=""></o:p></p><p class="MsoNormal" style="margin-top: 6pt; font-size: 11px;"><span style="font-size: 15.666666030883789px;" class="">(Setembro de 2022; realizada no EMS – Elektronmusikstudion, Estocolmo)</span></p><p class="MsoNormal" style="margin-top:6.0pt"><o:p class="">Obra acusmática para 16 canais</o:p></p><p class="MsoNormal" style="margin-top:6.0pt"><o:p class="">10'32”</o:p></p><div class=""><br class=""></div><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-ansi-language:
PT-BR" class="">Em setembro de 2022, atuei como Compositor Convidado junto ao
prestigioso EMS (<i class="">Elektronmusikstudion</i>) de Estocolmo, Suécia. Durou
apenas uma semana, mas a visita resultou em uma importante experiência: num
recorde em minha vida, em apenas em 3 dias de estúdio – de 20 a 22 de setembro
– realizei uma obra inteira acusmática, de 10’32”, para 16 canais, que foi
estreada em versão octofônica no dia seguinte, 23 de setembro, em meu concerto
no Teatro Black Box da sociedade Fylkingen.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-ansi-language:
PT-BR" class="">O material consiste em alguns sons tratados a partir de gravações
recentemente realizadas no Brasil de alguns poucos instrumentos de percussão
(dentro de um Projeto Temático com apoio Fapesp, então em pleno curso em São
Paulo), mas principalmente de sons elaborados em sintetizadores analógicos,
submetidos, entretanto, à síntese granular em Max/MSP, e consequentemente
fortemente metamorfoseados.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-ansi-language:
PT-BR" class="">Como é sabido, esse importante e tradicional estúdio europeu, fundado
nos anos 1960, embora muito equipado com modernos sistemas, tem por
característica a presença de sintetizadores modulares analógicos, com marcante
presen</span><span lang="PT-BR" style="mso-bidi-font-family:Calibri;mso-bidi-theme-font:
minor-latin;mso-ansi-language:PT-BR" class="">ça de sintetizadores Buchla. Eu não
poderia perder esta oportunidade e no dia 21 de setembro trabalhei por horas no
sintetizador <i class="">Buchla 200 black knob</i>, extraindo dele cerca de 40 minutos
de sons interessantíssimos, que se tornaram ainda mais atrativos quando
submetidos à síntese granular toda multifacetada ora em octofonia, ora em 16
canais, ou seja, em um estilhaçamento de velozes fragmentos sonoros por todo o
espaço de escuta.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-bidi-font-family:
Calibri;mso-bidi-theme-font:minor-latin;mso-ansi-language:PT-BR" class="">O emprego e a
experiência com o Buchla levaram-me a resgatar sons que eu havia feito em um
sintetizador Moog tão logo cheguei na Alemanha em 1986 para trabalhar como
compositor junto ao <i class="">Studio für elektronische Musik</i> da Escola Superior de
Música de Colônia, fundado em 1965 por Herbert Eimert. Aquele havia sido o
primeiro sintetizador Moog que chegara na Europa, e eu nunca havia utilizado em
uma peça minha os sons que com ele produzi naqueles anos. Como carrego-os
comigo junto a milhões de outros sons, tinha-os à mão!<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-bidi-font-family:
Calibri;mso-bidi-theme-font:minor-latin;mso-ansi-language:PT-BR" class="">Como me
salientara o técnico do EMS, Henrik Jonsonn, o princípio pelo qual foram
concebidos os sintetizadores Buchla é oposto ao dos sintetizadores Moog:
enquanto, em linhas gerais, os sons produzidos pelo Moog partem de espectros
relativamente complexos e tendem a serem “simplificados” conforme são
manipulados, os sons do Buchla em geral partem de espectros relativamente
simples que se tornam cada vez mais complexos. O EMS advoga pela “causa
Buchla”, mas justamente por isso resgatei os sons que eu fizera com aquele Moog
e procurei conjuminar ambos os sons provenientes dos dois sintetizadores
históricos analógicos em um mesmo contexto, submetendo-os todos à síntese
granular que, de toda forma, os transforma radicalmente. Destarte, ambas as
famílias sonoras acabam por se aproximar notavelmente, revelando sons de grande
beleza, numa oscilação ou simultaneidade de sons harmônicos e inarmônicos.<o:p class=""></o:p></span></p><p class="MsoNormal" align="center" style="margin-top:6.0pt;text-align:center"><span lang="EN-US" style="mso-bidi-font-family:Calibri;mso-bidi-theme-font:minor-latin;
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</span><span lang="PT-BR" style="font-size:10.0pt;mso-bidi-font-family:Calibri;
mso-bidi-theme-font:minor-latin;mso-ansi-language:PT-BR" class="">Espectro de um som que
realizei com o sintetizador <i class="">Buchla 200 black knob<o:p class=""></o:p></i></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-bidi-font-family:
Calibri;mso-bidi-theme-font:minor-latin;mso-ansi-language:PT-BR" class="">A visita em dias
que precederam minha estada na Suécia à cidade alemã de Aachen, onde mora com
sua esposa meu filho menor Rafael, revelou-me no alto da Catedral daquela
cidade uma inscrição que me chamou a atenção por uma bela expressão com 3
palavras latinas: <i class="">perpetui decoris structura</i>, ou seja, <i class="">da eterna beleza
da estrutura</i> ou <i class="">obra de eterna beleza</i>.<o:p class=""></o:p></span></p><p class="MsoNormal" align="center" style="margin-top:6.0pt;text-align:center"><span lang="PT-BR" style="mso-bidi-font-family:Calibri;mso-bidi-theme-font:minor-latin;
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Calibri;mso-bidi-theme-font:minor-latin;mso-ansi-language:PT-BR" class=""><br class="">
</span><span lang="PT-BR" style="font-size:10.0pt;mso-bidi-font-family:Calibri;
mso-bidi-theme-font:minor-latin;mso-ansi-language:PT-BR" class="">Inscrição no alto da
Catedral de Aachen, na Alemanha<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-bidi-font-family:
Calibri;mso-bidi-theme-font:minor-latin;mso-ansi-language:PT-BR" class="">Especulação e
sensibilidade parecem unir-se nesta frase, e é assim que usei a expressão como
título da nova peça, composta em únicos 3 dias de intenso trabalho e constituída
por 3 partes: quase como num ABA’, a primeira parte, ainda que com alguns sons
do Buchla, tem predominantemente sons de origem instrumental percussiva; a
segunda, sobretudo sons do Moog; e a terceira e última parte, predominantemente
sons que fiz com o Buchla no EMS. Todas as 3 partes têm seu início demarcado
por golpes do tipo percussão/ressonância, como “sinais” sonoros de demarcação estrutural:
golpe de pele demarcam a primeira e última partes, enquanto que golpes
metálicos pontuam o início da parte central.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-top:6.0pt"><span lang="PT-BR" style="mso-ansi-language:
PT-BR" class="">Enquanto a forma de </span><i class="">Perpetui decoris structura</i><span style="mso-ansi-language:PT-BR" class=""> <span lang="PT-BR" class="">revela-se relativamente
simples, sua estruturação sincrônica é deveras complexa, pois o princípio que
governa a obra é o da polifonia, o da <i class="">composição por camadas</i>, numa densa
trama polifônica e ao mesmo tempo caleidoscópica pela qual o ouvinte, a cada
vez, se atém em aspectos que, em uma escuta renovada, cederão espaço da atenção
auditiva a outros aspectos, a outros acontecimentos.<o:p class=""></o:p></span></span></p><p class="MsoNormal" align="right" style="margin-top:6.0pt;text-align:right"><b class=""><span lang="PT-BR" style="font-size:10.0pt;mso-ansi-language:PT-BR" class="">Flo Menezes<o:p class=""></o:p></span></b></p></div><div class="">
<b style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 14px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; font-family: Calibri, Verdana, Helvetica, Arial;" class=""><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""><span><span></span></span></span></b><span><img apple-inline="yes" id="3972EDA9-0780-44DE-9CF8-6AF939711787" src="cid:5F5EBD52-96B4-42D9-B50E-B97B724AD714@ia.unesp.br" class=""></span><b style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 14px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; font-family: Calibri, Verdana, Helvetica, Arial;" class=""><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""><span><b style="color: rgb(0, 0, 0); font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-position: normal; letter-spacing: normal; line-height: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; font-family: Calibri, Verdana, Helvetica, Arial;" class=""><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""><div class=""><b style="color: rgb(0, 0, 0); font-size: 14px;" class=""><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; border-spacing: 0px;"><span class="Apple-style-span" style="color: rgb(128, 128, 0); font-family: Calibri, Verdana, Helvetica, Arial; font-size: 19px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; text-align: -webkit-auto; border-spacing: 0px;"><span class="Apple-style-span" style="font-weight: normal; color: rgb(128, 128, 0); font-family: Calibri, Verdana, Helvetica, Arial;"><b class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-weight: normal; text-align: -webkit-auto; border-spacing: 0px;"><div style="font-family: "Lucida Grande"; display: inline !important;" class=""><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial;"><b class=""><font size="5" color="#c1000a" class=""><span style="font-size: 14pt;" class=""><br class="Apple-interchange-newline"><br class="Apple-interchange-newline">Studio PANaroma</span></font></b></span></div></span></b></span></span></span></span></span></b></font></b></div></span></b></span></span></b><div style="font-family: "Lucida Grande"; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; color: rgb(0, 0, 0); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; line-height: normal;" class=""><b style="font-family: Calibri, Verdana, Helvetica, Arial;" class=""><b style="font-family: Calibri, Verdana, Helvetica, Arial;" class=""><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; orphans: 2; text-align: -webkit-auto; widows: 2; border-spacing: 0px; "><span class="Apple-style-span" style="color: rgb(128, 128, 0); font-family: Calibri, Verdana, Helvetica, Arial; font-size: 19px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; text-align: -webkit-auto; border-spacing: 0px;"><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; text-align: -webkit-auto; border-spacing: 0px;"><div style="font-weight: normal; font-family: "Lucida Grande";" class=""><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial;"><b class=""><font size="4" class=""><span style="font-size: 11pt;" class=""><font class="Apple-style-span" color="#c1000a">de Música Eletroacústica da Unesp</font></span></font></b></span></div><div class=""><font class="Apple-style-span" color="#808000" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); text-align: -webkit-auto; border-spacing: 0px;"><div style="font-weight: normal; font-family: "Lucida Grande";" class=""></div><div style="font-family: "Lucida Grande";" class=""><div style="font-weight: normal; font-family: Helvetica;" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><b class=""><font size="4" class=""><span style="font-size: 11pt;" class="">Diretor Artístico: Flo Menezes, Professor Titular da Unesp<br class=""></span></font></b></font><font face="Calibri, Verdana, Helvetica, Arial" class=""><font size="4" class=""><span style="font-size: 11pt;" class="">- - -</span></font></font></div><div style="font-weight: normal; font-size: 11px;" class=""><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial; font-size: 13px;">Instituto de Artes da UNESP</span></div><div style="font-weight: normal; font-family: Helvetica; font-size: 11px;" class=""><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial; font-size: 13px;">Rua Dr. Bento Teobaldo Ferraz, 271</span></div><div style="font-weight: normal; font-family: Helvetica; font-size: 11px;" class=""><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial; font-size: 13px;">c/o Studio PANaroma</span></div><div style="font-weight: normal; font-family: Helvetica; font-size: 11px;" class=""><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial; font-size: 13px;">Várzea da Barra Funda<br class="">01140-070 – São Paulo – SP<br class=""></span></div><div style="font-weight: normal; font-family: Helvetica; font-size: 11px;" class=""><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial; font-size: 13px;">Brasil</span></div><div style="font-weight: normal; font-family: Helvetica;" class=""></div><div style="font-weight: normal; font-family: Helvetica;" class=""></div></div></span></b></font></div></span></b></font></span></span></span></span></b></font></b></b><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial;"><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; orphans: 2; text-align: -webkit-auto; widows: 2; border-spacing: 0px;"><span class="Apple-style-span" style="color: rgb(128, 128, 0); font-family: Calibri, Verdana, Helvetica, Arial; font-size: 19px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; text-align: -webkit-auto; border-spacing: 0px;"><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><span class="Apple-style-span" style="border-collapse: separate; text-align: -webkit-auto; border-spacing: 0px;"><div style="display: inline !important;" class=""><font class="Apple-style-span" color="#808000" face="Calibri, Verdana, Helvetica, Arial"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); text-align: -webkit-auto; border-spacing: 0px;"><div style="font-family: "Lucida Grande"; display: inline !important;" class=""><div style="font-family: Helvetica; font-size: 12px; display: inline !important;" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><b class="">email:</b><span style="font-size: 13px;" class=""> </span></font></div></div></span></font></div></span></font></span></span></span></span></span><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial;"><b class=""><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; orphans: 2; text-align: -webkit-auto; widows: 2; border-spacing: 0px;"><span class="Apple-style-span" style="color: rgb(128, 128, 0); font-family: Calibri, Verdana, Helvetica, Arial; font-size: 19px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; text-align: -webkit-auto; border-spacing: 0px;"><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; text-align: -webkit-auto; border-spacing: 0px;"><div style="display: inline !important;" class=""><font class="Apple-style-span" color="#808000" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); text-align: -webkit-auto; border-spacing: 0px;"><div style="font-family: "Lucida Grande"; display: inline !important;" class=""><div style="font-family: Helvetica; font-size: 12px; display: inline !important;" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><font color="#0000FF" style="font-size: 13px;" class=""><u class=""><a href="mailto:studio_panaroma@ia.unesp.br" class="">f.menezes@unesp.br</a></u></font></font></div></div></span></b></font></div></span></b></font></span></span></span></span></b></span></div><div style="font-family: "Lucida Grande"; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; color: rgb(0, 0, 0); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; line-height: normal;" class=""><b style="font-family: Calibri, Verdana, Helvetica, Arial;" class=""><span style="color: rgb(128, 128, 0); font-size: 19px;" class=""></span></b><div class=""><b style="font-family: Calibri, Verdana, Helvetica, Arial;" class=""><b class=""><b class=""><span class="Apple-style-span" style="border-collapse: separate; font-family: "Lucida Grande"; border-spacing: 0px; "><span class="Apple-style-span" style="color: rgb(128, 128, 0); font-family: Calibri, Verdana, Helvetica, Arial; font-size: 19px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; text-align: -webkit-auto; border-spacing: 0px;"><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; text-align: -webkit-auto; border-spacing: 0px;"><div style="display: inline !important;" class=""><font class="Apple-style-span" color="#808000" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); text-align: -webkit-auto; border-spacing: 0px;"><div style="font-family: "Lucida Grande"; display: inline !important;" class=""><div style="font-family: Helvetica; font-size: 12px; display: inline !important;" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><b class="">website:</b><span style="font-weight: normal; font-size: 13px;" class=""> </span></font></div></div></span></b></font></div></span></b></font></span></span></span></b></b></b><b class=""><span class="Apple-style-span" style="border-collapse: separate; orphans: 2; text-align: -webkit-auto; widows: 2; border-spacing: 0px; font-size: medium;"><span class="Apple-style-span" style="color: rgb(128, 128, 0); font-family: Calibri, Verdana, Helvetica, Arial; font-size: 19px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; text-align: -webkit-auto; border-spacing: 0px;"><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; text-align: -webkit-auto; border-spacing: 0px;"><div style="display: inline !important;" class=""><font class="Apple-style-span" color="#808000" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); text-align: -webkit-auto; border-spacing: 0px;"><div style="font-family: "Lucida Grande"; display: inline !important;" class=""><div style="font-family: Helvetica; font-size: 12px; display: inline !important;" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><font color="#0000FF" style="font-size: 13px;" class=""><u class=""><a href="http://flomenezes.mus.br" class="">http://flomenezes.mus.br</a></u></font></font></div></div></span></b></font></div></span></b></font></span></span></span></b></div><div class=""><b style="font-family: Calibri, Verdana, Helvetica, Arial;" class=""><font class="Apple-style-span" face="Calibri, Verdana, Helvetica, Arial"><b class=""><span class="Apple-style-span" style="border-collapse: separate; orphans: 2; text-align: -webkit-auto; widows: 2; border-spacing: 0px;"><span class="Apple-style-span" style="color: rgb(128, 128, 0);"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); text-align: -webkit-auto; border-spacing: 0px;"><span class="Apple-style-span" style="font-weight: normal; color: rgb(128, 128, 0);"><b class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; font-weight: normal; text-align: -webkit-auto; border-spacing: 0px;"><div style="display: inline !important;" class=""><font class="Apple-style-span" color="#808000" face="Calibri, Verdana, Helvetica, Arial"><span class="Apple-style-span" style="font-size: 19px;"><b class=""><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: "Lucida Grande"; font-weight: normal; text-align: -webkit-auto; border-spacing: 0px;"><div style="font-family: Helvetica; font-size: 12px; display: inline !important;" class=""><font face="Calibri, Verdana, Helvetica, Arial" class=""><font color="#0000FF" style="font-weight: bold; font-size: 13px;" class=""><span class="Apple-style-span" style="font-family: Helvetica; color: rgb(0, 0, 0); font-weight: normal; font-size: 12px;"><font face="Calibri, Verdana, Helvetica, Arial" class=""><font style="font-size: 15px;" class=""><span style="font-size: 13px;" class="">Fone: </span></font></font><span class="Apple-style-span" style="font-family: Calibri, Verdana, Helvetica, Arial; font-size: 13px;"><b class="">++55/11/3393-8697</b></span></span></font></font></div></span></b></span></font></div></span></b></span></span></span></span></b></font></b></div></div>
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